Monday, October 21, 2013

There are many works that have told the story of society, which are created iconic characters flyin


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All that we were aware of our environment in the nineties know these two characters, and when I say all is ALL, even if we lived in a place where there were Marvel superheroes (Picazo talk to you) and where to play marbles was as common as playing pogs. I remember stuffed disney france toys with hard heads that came out of the cartoon, I remember the toys that have been released in Happy Meals for years without exhausting the taste for these, remember rainy afternoons where the characters (many children, disney france a dog and a canary) delight my existence.
There are many works that have told the story of society, which are created iconic characters flying the idea of a being that we are all at the same time and no one is, a being with whom we share experiences at some point in our life and making it easy to generate some empathy. These are characters we all know and we place perfectly and they always say something about the world around us. This is very important as with Mafalda Quino, who has gone from a simple cartoon to important and iconic disney france character in our society, or so as the magnificent Simpsons, Schulz succeeds with Carlitos. A cartoon, first comic, where the dialogues, role playing, disney france are the most substantial part of the contents, disney france and it talks to the kids, and some Snoopy's thoughts are clever ideas that a child would have on the world, about the reality you see and you want to discuss with their peers, with friends who, being under the same situation, play the role of perfect partners to demonstrate the thoughts, clarify or ridicule. Ideas that will barely sketching for characters but the readers or viewers we mean a lot. The profiles that define each of the characters (Charlie, Linus, Sally, Lucy, Schroeder, Snoopy disney france and Woodstock, to mention the main) cause us to be spectators of each episode disney france drawn by Schulz have before our eyes this strange mixture society is composed of the eternal disney france loser, idealistic, intellectual, reserved, universal characters, as I mentioned, we all share and in some highlights more than others. That is what is intended with the work, talk about the society in which they are immersed in the characters and how they receive them. One of the episodes shows the tough guy against the defenseless and these, after being beaten, and all full of dirt, make a reflection on abusive people in the world in just a few lines.
Each of the vignettes has been drawn with great care and dedication since although renombradísimo Schulz is not a visual artist, has imposed a unique style for their accurate and reliable strokes. Think of what pleases us most many is that care. No need to put a balloon or a picture letritas saturate so small to say everything Charlie says. There are even missing whole word cards because this kind of "silence" allows greater attention and emphasis to actions.
Another thing that catches my attention, and you will also find Mafalda, are so unimportant scenarios where the actions occur. That is, if they are on a baseball game, the conversations of the characters are consistent with scenarios but never complicated drawings and Charlie disney france himself and his gang. The drawings have a clear style, very clean drawings are full of ideas that would have us elucidate hours in what is being drawn, are clean and round movements that do not crave the award for best illustration but they are nice and mostly moderate.
The way in which it presents Best of Charlie and Snoopy is in a division for decades, capturing the best numbers this cartoon to over the years that has accompanied us. At the beginning of this review disney france I mentioned the nineties since I was born during that decade, but the series has been entertaining us from

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